Wednesday, 25 March 2009
Punk - 1977
Bold colours lots of contrast
Displays attidute and her expression shows a devious and rebelling look.
modern technique no traditional media as punk bebelled against old people, rockers and hippies.
International Typographic Style.
Surrealism - 1924
Bauhaus - 1933
It shuns ornamentation and favors functionality
Uses asymmetry and regularity versus symmetry
It grasps architecture in terms of space versus mass
Bauhaus buildings are usually cubic, favor right angles,
(although some feature rounded corners and balconies);
they have smooth facades and an open floor plan.
Constructivision - 1919
Tatlin Tower. Model of the Monument to the Third International
Developed from cubism and italian futurism.
Constructivists didnt want to create Art for Arts sake. They wanted their art to have social purpose.
It was a response to changes in thechnology and contemporary life, it advocated a change in the art scene, aiming to create a new order in art and architecture that referenced social and economical problems.
Tatlin's sculpture favours simple shapes like alot of constructivists did. The metal materials used depict the dominance of the machine in the modern world and its triumph over nature.
Developed from cubism and italian futurism.
Constructivists didnt want to create Art for Arts sake. They wanted their art to have social purpose.
It was a response to changes in thechnology and contemporary life, it advocated a change in the art scene, aiming to create a new order in art and architecture that referenced social and economical problems.
Tatlin's sculpture favours simple shapes like alot of constructivists did. The metal materials used depict the dominance of the machine in the modern world and its triumph over nature.
Futurism - 1910
The city Rises - 1910
Umberto Boccioni,
Futurists admored speed, technology, youth and violence, The car, teh airplane and the industrial city.
All that represented the technological triumph of humanity over nature. They were also passionate nationalists. They were extrememly passionate and rebelled against harmony and good taste.
"the smear of madness"
"expression of violent desire which burns in the veins of every creative artist today"
"we rebel against spinless worshipping of old canvases, old statues and old bric-a-brac. Against everything which is filthy and worm ridden and corroded by time"
They praised originality however daring, however violent.
This painting feature what was at the time a modern urban scene in the background. Although put to the back of the painting and cornered with little detail, it seems to be the main part of the painting. Everything else seems to be flowing from it in a sea of force and intension. The artists thick and violent brush strokes show fast movement and represent determinatio, passion and the anticipation of futur events.
Umberto Boccioni,
Futurists admored speed, technology, youth and violence, The car, teh airplane and the industrial city.
All that represented the technological triumph of humanity over nature. They were also passionate nationalists. They were extrememly passionate and rebelled against harmony and good taste.
"the smear of madness"
"expression of violent desire which burns in the veins of every creative artist today"
"we rebel against spinless worshipping of old canvases, old statues and old bric-a-brac. Against everything which is filthy and worm ridden and corroded by time"
They praised originality however daring, however violent.
This painting feature what was at the time a modern urban scene in the background. Although put to the back of the painting and cornered with little detail, it seems to be the main part of the painting. Everything else seems to be flowing from it in a sea of force and intension. The artists thick and violent brush strokes show fast movement and represent determinatio, passion and the anticipation of futur events.
Pop Art
Used popular images and icons and incorporating and re-defining them in the art world.
Often subjects were derived from advertising and product packaging, celebrities, and comic strips.
The images are presented with a combination of humor, criticism and irony.
Abstract.
Abstract
Robert Delaunay
Rainbow, 1913
Oil on canvas
"Abstract art is art that does not depict objects in the natural world, but instead user colour and form in a non-representational way. It does not represent reality as we see it," en.mimi.hu/finearts/non-representational.html
This painting by Robert Delaunay is a good example of this. I can see trees, the sun, clouds and the rainbow but they are not represented in the usual way. The colours are almost random and the images look like their collaged.
Post Impressionism - 1886
Post impressionists recected the limitations of Impressionism. They contintued the use of vivid colours, thick application of paint, distinctive brush strokes and the real life subject matter. This painting shows all of theses characteristics. Post impressionism also distorted form for expressive effect and used unnatural or arbitrary colours. They wanted to add the structure to their paintings that Impressionism lacked.
This painting has a realistic subject but the texture looks more rubbery on his clothes and too rough on his skin. The colours in the painting are all very siilar creating an eerie and serious atmosphere. The lines are very soft looking adding to the atmosphere.
Art Deco 1939
De stijl - 1917
Dada - 1916
cubism - 1907
Juan Gris - 1912
Cubism
Juan Gris – 1912
Oil on canvas
Shapes create illusion
Fuzzy texture irregular create movement in the image
The similar colours make the picture more difficult to break up.
This cubist painting breaks traditional art rules by painting the subject for different viewpoints.
This painting is attempting to show the subject as the mind would see it and not the eye.
Cubism
Juan Gris – 1912
Oil on canvas
Shapes create illusion
Fuzzy texture irregular create movement in the image
The similar colours make the picture more difficult to break up.
This cubist painting breaks traditional art rules by painting the subject for different viewpoints.
This painting is attempting to show the subject as the mind would see it and not the eye.
Fauvism 1905
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