Wednesday, 25 March 2009

Punk - 1977


Bold colours lots of contrast
Displays attidute and her expression shows a devious and rebelling look.
modern technique no traditional media as punk bebelled against old people, rockers and hippies.

International Typographic Style.


Emphasizes cleanliness, readability and objectivity
Characteristics of the style are asymmetric layouts, use of a grid, sans-serif typefaces like Akzidenz Grotesk, and flush left, ragged right text.

Surrealism - 1924



Characteristics of surrealism include

inexplicable happenings, dream like themes and hallucinations.

Like symbolism meanings are fed to the viewer through a strange art language which we have to de-code. The artist has used oil on canvas to create a realistic dream like world.

Bauhaus - 1933



It shuns ornamentation and favors functionality

Uses asymmetry and regularity versus symmetry

It grasps architecture in terms of space versus mass

Bauhaus buildings are usually cubic, favor right angles,

(although some feature rounded corners and balconies);

they have smooth facades and an open floor plan.

Constructivision - 1919

Tatlin Tower. Model of the Monument to the Third International

Developed from cubism and italian futurism.
Constructivists didnt want to create Art for Arts sake. They wanted their art to have social purpose.
It was a response to changes in thechnology and contemporary life, it advocated a change in the art scene, aiming to create a new order in art and architecture that referenced social and economical problems.

Tatlin's sculpture favours simple shapes like alot of constructivists did. The metal materials used depict the dominance of the machine in the modern world and its triumph over nature.

Futurism - 1910

The city Rises - 1910

Umberto Boccioni,

Futurists admored speed, technology, youth and violence, The car, teh airplane and the industrial city.
All that represented the technological triumph of humanity over nature. They were also passionate nationalists. They were extrememly passionate and rebelled against harmony and good taste.
"the smear of madness"
"expression of violent desire which burns in the veins of every creative artist today"
"we rebel against spinless worshipping of old canvases, old statues and old bric-a-brac. Against everything which is filthy and worm ridden and corroded by time"
They praised originality however daring, however violent.

This painting feature what was at the time a modern urban scene in the background. Although put to the back of the painting and cornered with little detail, it seems to be the main part of the painting. Everything else seems to be flowing from it in a sea of force and intension. The artists thick and violent brush strokes show fast movement and represent determinatio, passion and the anticipation of futur events.

Pop Art

Roy Lichtenstein's Drowning Girl (1963) on display at the Museum of Modern Art, New York
Used popular images and icons and incorporating and re-defining them in the art world.
Often subjects were derived from advertising and product packaging, celebrities, and comic strips.
The images are presented with a combination of humor, criticism and irony.